A collaborator since 2002 (Notre Musique), Fabrice Aragno did not want to make a documentary ‘on’ but ‘with’ Jean-Luc Godard. The latter decided on a mathematical approach. The TV station asked for 26 minutes, and so Godard suggested they make 26 one-minute sequences, and have 4 shots in each sequence, all recycled from his work.
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series.
During his 1923 visit to Cairo, Prince Leopold III of Belgium climbed the Cheops pyramid. The film was shot by Tullio Chiarini, Italian photographer, cinematographer and correspondent in Cairo and Alexandria.
A tale of blood, sex, spit, spunk and cult recruitment. “This Is the Salivation Army” was, in his own words, a queer pagan punk publication produced by Scott Treleaven from 1996-1999. The film tracks the rise and demise of Treleaven's zine and the strange cult it spawned.
A soldier stands guard at a sentry box and leaves it unprotected for a moment, a moment that two men take advantage of to put up posters where it is prohibited.
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.